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While “Legacy” may not be a perfect album, it nevertheless looks squarely toward the future, without cynicism or panic, with the clarity of a band that seems to have finally found its path.
RHUM1
- 16/10/2025
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The second album from a comeback artist, “Tears Of Snow” envelops us in a sensitive fury, sometimes compensating for its lack of risk-taking with unfailing effectiveness.
ADRIANSTORK
- 14/10/2025
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“Xenotaph” is a good album, but it is very calculated and cold, sometimes seeming devoid of emotion.
THIBAUTK
- 08/10/2025
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With “The Constant Void,” Philosophobia has released a second album that brilliantly surpasses its predecessor by combining technical virtuosity and emotional depth, definitively confirming its status as the most promising band in modern progressive metal
NEWF
- 02/10/2025
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With “The Blue Nowhere,” Between The Buried And Me offers a bold album brimming with creativity, sometimes confusing, but always fascinating.
NEWF
- 26/09/2025
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With “Where Mountains Hide,” Sometime In February establishes itself as one of the most compelling recent revelations in instrumental progressive metal.
NEWF
- 18/09/2025
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“+ där skogen sjunger under evighetens granar +” is a technically accomplished album, furious, demanding and personal, which will win over even the most resistant listeners.
THIBAUTK
- 30/07/2025
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Celestial Ember's “All Real Numbers” is not the definitive solution to all the puzzles of progressive metal, but it remains a compelling demonstration that balances technique and emotion with promising boldness.
RHUM1
- 12/06/2025
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