ARTIST:

EDGE OF PARADISE

(UNITED STATES)
TITLE:

UNIVERSE

(2019)
LABEL:

FRONTIERS RECORDS

GENRE:

MELODIC METAL

TAGS:
Female vocals
"Edge Of Paradise is still looking for itself in this "Universe", efficiently structured but not fully accomplished, to which we prefer their elder "Immortal Waltz"..."
CHILDERIC THOR (03.01.2020)  
2/5
(0) opinions from our readers (0) comment(s)

If it would be an exaggeration to claim that Edge Of Paradise was missing - notwithstanding the vague and nice memory left by "Immortal Waltz", its second vintage released in 2015 -, it's nevertheless with a certain pleasure that we look back four years later on this "Universe" which seals the alliance between Frontiers Records and Californians. 

Why such a benevolence for a band that is anecdotal and a bit lazy? The reason essentially comes down to the one who founded it, the singer Margarita Monet, whose voice is both powerful and cuddly and her beauty doesn't leave indifferent. Without her, we would hardly be interested in the band, especially as its identity remains difficult to define, as it seems to change from one album to the next. Progressive on "Mask" (2011), more traditional on "Immortal Waltz", its melodic metal shows this time an even different face, more modern, even sometimes electro ('Perfect Disaster'). 

If the production prepared by Mike Plotnikoff (Halestorm) and completed by the mix of the master Jacob Hansen (CyHra, Aborted...) covers it with a clear and fearsome fuselage, the ideal case of a metal anchored in its time, "Universe" lacks cohesion, hesitating between a resolutely contemporary score full of electro touches ('Hollow', 'Electrify') and melodic flights with almost symphonic colours (the finale of 'Burn The Sun').  At the end, the whole proves to be pleasant but clumsy, leaving a strange taste in the mouth, just like this 'World', a curious, almost unhealthy pause, where the beautiful girl whispers like a little girl on a stormy background. 

But it's again Margarita's performance that catches the attention more than the compositions. Let's mention 'Fire', a catchy primer that multiplies the sensual kidney strokes. 'Face Of Fear', covered in dark stockings and with a sometimes threatening voice, also deserves to be mentioned, as well as 'Alone' on which the shadow of Evanescence hovers, while 'Stars' traces a pleasant path which, once again, owes a lot to the lascivious vocal lines of the mistress of the place, who is nevertheless supported by sharp musicians. 

In the end, "Universe" would have benefited from not sounding too modern. Edge Of Paradise is still looking for itself.  Let's hope that they haven't found their style with this third album, efficiently structured if not accomplished, to which we prefer their elder "Immortal Waltz"...


More informations on http://www.edgeofparadiseband.com/





TRACK LISTING:
01. Fire - 4:05
02. Electrify - 3:00
03. Universe - 4:03
04. Alone - 3:58
05. Hollow - 3:16
06. World - 3:31
07. Perfect Disaster - 3:20
08. Face of Fear - 4:03
09. Stars - 3:38
10. Burn the Sun - 3:12

LINEUP:
Dave Bates: Guitares
David Ruiz: Guitares
Jimmy Lee: Batterie
Margarita Monet: Chant
Vanya Kapetanovic: Basse
   
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LAST NEWS
EDGE OF PARADISE: Universe
 
OTHER REVIEWS
SONS OF APOLLO: Mmxx (2020)
PROGRESSIVE METAL - Heavier and less progressive, this "MMXX" without audacity or nuance won't thrill the fans of the first album.
APOCALYPTICA: Cell-0 (2020)
MELODIC METAL - Apocalyptica opts for a return to their roots with an instrumental album centred around four cellos, sometimes devastating, sometimes sublime, but always excellent.
 
STREAMING
 
 
OTHER(S) REVIEWS ABOUT EDGE OF PARADISE
EDGE-OF-PARADISE_The-Unknown
The Unknown (2021)
4/5
-/5
FRONTIERS RECORDS / MELODIC METAL
 
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