Under the name of Tronos is hidden the new project of Shane Embury, bassist of Napalm Death. To bring it to life, he called on his friend Russ Russel, producer of his band and other extreme big names, and drummer Dirk Verbeuren. He brings together a nice panel of guests including Skane de Voivod or Billy Gould and Troys Sanders.
Shane doesn't like being locked in a straitjacket. For Tronos, he shows his willingness to break down borders and moves far away from death grind. "Celestial Mechanics" is like its cover, a cold and scary monster that sails between sludge, industrial and wave on the edge of madness. To enter this universe is to undertake a journey from which one does not emerge unscathed, somewhere between Ministry, Killing Joke and Voivod.
From the outset, 'Walking Among The Dead Things' sets the scene. The robotic and martial character of the title takes to the throat with a dark and throbbing side. The sequel is just as strong, "Just Cradle" is another violent and epic journey that mixes thrash and wave with a rare intensity. 'The Past Will Wither And Die' is one of the highlights of the album, reminiscent of Mastodon, adding a female voice and choirs for a total immersion into the abyss.
All this is reminiscent of Voivod and logically Snake is invited on a 'Premonition' heavy and exciting. The clear voice is impressive with a mix of electro and indus which works perfectly. In this hypnotic travel idea, "Birth Womb", "Beyond The Stream Of Conciousness" and "Voyeurs Of Nature's Tragedy" form a trio that will take you far into this gothic universe. Finally, we will note a cover of a little-known Black Sabbath title, 'Johnny Blade', whose dark and vicious side perfectly fits the concept of the record.
Tronos launches his career with a record of an enormous class. He mixes atmospheres and styles with a rare ease. "Celestial Mechanics" has everything to delight lovers of blends and synthetic sounds.